Posts Tagged ‘robert aickman’

Here’s yet another tribute to the master of the uncanny and unnatural from… well, me, I confess. Over at the site devoted to my recently published novel The Possessions of Doctor Forrest – a site partly consecrated to the itemising of the many and various supernatural artworks by which I was influenced in the making of said novel – I thought it important to add Aickman’s name to the roll-call. The influence was unknown to me at the time of writing, in this instance, as I explain; but then Aickman himself would surely have had an easy explanation for the manner in which my cold hand was steered by some ordinary ghost…


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The excellent literary editor/reviewer Suzi Feay has begun recently to blog (‘Suzi Feay’s Book Bag, here) and I am delighted to report that one of her earliest posts is in praise of the oeuvre of Robert Aickman, who is of course a jewel of our fiction collection here at Finds, represented by The Wine-Dark Sea, The Unsettled Dust and Cold Hand in Mine. In her piece Feay displays an true aficianado’s relish of the genre of the ‘strange story’ (ideally “hauntingly unresolved”, “where nothing so straightforward as an errant spirit explains the action”) and a highly refined appreciation of why Aickman was such a master of the form. Along the way she heaps praise on some of the finest Aickman productions – ‘The Inner Room’, ‘Never Visit Venice’, ‘The Trains’, ‘The Cicerones’, and ‘Into The Wood’, which she hails as “perhaps Aickman’s masterpiece… a novella worthy of Thomas Mann, about a woman who discovers an eerie sanitorium for people who never sleep.” She also makes note of Aickman’s wit while sounding the warning that it is rather akin to “the godlike humour of an indifferent creator laughing at his creations.” And she finishes on this lovely note, with the ardency of the true bibliophile:

Aickman has always been a hard author to track down, a name murmured only by the conoscenti. Faber Finds has come to the rescue and reprinted some of his collections at a modest price. They are highly recommended. Part of me wants everyone to read him, and part of me wants to keep him as a secret known only to the few…

It’s a widely shared feeling. But the secret of Aickman is slowly creeping out into the world once again, and we must accept the consequences, however they may fall upon us…

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“Reading Robert Aickman is like watching a magician work, and very often I’m not even sure what the trick was. All I know is that he did it beautifully…”
(Neil Gaiman)
Call it an irony if you wish, but without doubt one of the happiest endeavours of Faber Finds to date has been the returning to print of a writer whose work is pregnant with unease, melancholia and dread. I speak of the Finds editions of several story collections by Robert Aickman, an author somewhat unsung by the mainstream but, among connoisseurs, a deeply and rightly revered master of the supernatural tale. The Aickman titles available in Finds are The Unsettled Dust, The Wine-Dark Sea, and Cold Hand in Mine.
Neil Gaiman is just one among many authoritative admirers of Aickman, and Gaiman was kind enough to note the Finds editions on publication in 2008 (scroll down).
‘League of Gentlemen’ alumni Jeremy Dyson and Mark Gatiss have also collaborated on adaptations of Aickman for radio and television. I asked Kim Newman, novelist, critic and authority on the supernatural genre in all forms, for his view on Aickman’s standing in the present day, and he gave me this verdict:
“Robert Aickman was the best, the subtlest and the creepiest author of ghost stories of his time; and, as an anthologist, did a great deal to shape a lasting canon of supernatural fiction. But, more than being important, he’s good … still enormously re-readable, offering mysteries which get deeper and scarier with each return.”
(The anthologies to which Kim refers are volumes 1 to 8 of the old Fontana series of Great Ghost Stories, the merits of which are keenly hymned on the web, by Aickman devotees but also those who are acquainted with his work only through these selections.)
The web also offers some lovingly detailed tribute sites to Aickman for those seeking further insight and information. Certainly I can recommend Robert Aickman – An Appreciation, and therein, just for example, a fine essay by Jim Rockhill on ‘The Inner Room’, which is one of Kim Newman’s favourite Aickman stories and can be found in the Finds edition of The Wine Dark Sea.
There is also a wealth of data available at Robert Aickman: A Database.
In noting this avidity for Aickman’s work Finds must also make an apology to those same readers. Though one very much hopes that Aickman fans have been broadly pleased by Faber Finds’ efforts in restoring these collections to print, one must also acknowledge that there were an unacceptable number of errors in our initial reissues as a result of glitches in the scanning-offsetting process. We can only pledge that it won’t happen again, and hope that readers’ overall enjoyment of the works was not spoiled by these same mishaps.
As for those yet to make Aickman’s acquaintance on the page, it should be said that he has power at any time of year, but the dark, dwindling months of November and December might be the aptest time to discover him. As Tim Martin wrote in a piece for the Telegraph on ‘the best ghost stories for Christmas’, published at the time of the Finds Aickman reissues,
“The cumulative effect of [Aickman’s] stories is remarkable, and their hostile suggestiveness stays with the reader long after the book is closed. I can make no stronger recommendation for Christmas unease…”
And nor, for that matter, can I. Christmas is a time for comfort and cheer, of course, but a little disturbance is good for the soul if taken in moderation – and Aickman offers a potent, elegant, undiluted dose.

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